Creative Minds’ Music’s Musings

The pictures of the American flag at dawn used in this 2015 video were taken by me on the Intergraph (Huntsville, AL) campus on July 31, 2002. The video is another of my Fotomagico slideshows and is made from the 2002 camera shots. The music accompanied by the video, is my 2015 arrangement. The pictured flag stood where the Hexagon/Intergraph building now stands.

For years I intended to arrange something “patriotic” for July 4th, but didn’t. In 2009, I arranged, performed, and recorded this simple cello and piano duet version of “The Star Spangled Banner.” For the 4th of July celebration of 2010, I added a flute part to the arrangement from the previous year. For [sc_embed_player fileurl=”httpthe 2015 re-recording, I added a ensemble-string part using a program that I programmed on my Kurzweil PC3K8.

For the 4th of July, 2017, I have updated the arrangement again to divide solo duties between violin and cello. I threw in a couple of duets, also for free. 😉

I hope that you enjoy this updated performance. Happy 4th of July! And, may God continue to bless America!

I first heard Phil Cunningham (composer) during Garrison Keillor’s introduction of “Phil and Aly” during the Sat Mar 29, 2008 radio broadcast of “A Prairie Home Companion.” After a generous introduction of Phil and Aly, Mr. Keillor asked Phil Cunningham what they would play. He answered:

“I’m going to play a tune that I composed for my brother: Johnny, who passed away a year ago. And, it was kind of an inevitable thing that we would write something for him. And, I tried to choose whether it would be a big, happy thing—because he was a big, happy guy; but, he was also an emotional nightmare. The part of me that is very Scottish, (and) that I’m at my very happiest when I’m miserable, it won—and he got a slow “Aire.” So this is a tune called “Johnny’s Tune.”

Fiddle with Johnny’s Tune Music (Illustration by S. Owen, Jr.)

From the instant that Phil and Aly began to play, I was entranced. Aly Bain’s exquisite, traditional Scottish fiddle-playing resonated with persistent emotion; and, that was accompanied by Phil Cunningham’s accordion in a way that could only have been achieved by the song’s composer. I was emotionally moved by their performance. And, I was was not surprised that Mr. Keillor’s comment to their performance was: “That was lovely… that was perfect.” I agreed with Mr. Keillor and knew then that I wished to record “Johnny’s Tune.”

After that broadcast I learned that Phil and Johnny Cunningham had played together for many years during their respective careers. Many recordings exist as record of the collaborations of Phil and Johnny Cunningham.

Later that week I was able to find the archived recording of the Prairie Home Compainion broadcast at the Prairie Home Companion website. I transcribed the song and Phil Cunningham’s quotation (above) from the broadcast recording. By request, I have uploaded my three-page transcription as a very small PDF file.

To record the fiddle in this piece I used “Synful Orchestra.” The fiddle track is panned slightly left of center. The accompaniment used three (3) tracks (melody, chordal, and bass) of (Yamaha MU100R) synthesizer-accordion. I believed that three (3) accordion tracks were necessary for me to attempt to recreate Phil Cunningham’s solo accordion performance. The accordion tracks are all panned slightly to the right of center.

In October, 2010, I updated this post to include an original animation I made using the (free) 3D modeling and animation program, Blender. The on-stage music manuscript pages were produced from the Digital Performer QuickScribe window. The 2D violin and bow are the same original art used in on this page (left). This was the first animation project that I have done using Blender. (Editor’s note: I used the Mac-only, “Kinemac” program for previous animations (Adagio for Strings) and iMovie for others (Billy Mayerl and Oscar Peterson).)

“Phil and Aly” artistically inflected the tempo of their performance with variations (rubato) that were wonderfully expressive. My initial (imitative) recording attempts were unsatisfying in comparison because my rendition seemed too slow and lacked vitality. After much debate (largely with myself) I added a supporting piano part (using Synthogy Ivory ) that is intended to help provide rhythmic drive. The piano track is panned more to the left than the fiddle.

My goal has been to share (with you) the beauty of this wonderful song. I have attempted to remain faithful to the spirit of the Phil and Aly performance that I first heard on Prairie Home Companion. I (for some time) believed that the name of this song was “Johnny’s Song” — until, I listened repeatedly to the broadcast recording; and, I finally realized that the name was actually: “Johnny’s Tune.”

I hope that you enjoy my recording of “Johnny’s Tune.” As always, I welcome and appreciate your comments.